This year, 30 masters from 12 foreign countries took part in the events: Italy, France, India, Egypt, Japan, Lithuania, Russia, Azerbaijan, Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan. More than 60 masters of applied arts from Uzbekistan participated.
“The motto of the IV International Biennale of Applied Arts is “Globalization and the preservation of national traditions: choosing a path” - as a leading idea, it was proposed to consider the problem of preserving the originality of applied art and overcoming the accelerating unification of traditions in the conditions of active globalization of the economy and the dominance of mass culture,” said the curator Biennale Binafsha Nodir.
“At the same time, it is very important to understand that preserving traditions does not mean copying or preserving examples of the past, simplification and primitivization of cultural forms, but serves as the basis for their creative interpretation and innovative development,” she emphasized.
Within the framework of the international biennale, exhibitions of modern Uzbek and foreign decorative art, national ceramics, gold embroidery, jewelry, master classes, presentations, as well as an international scientific and practical conference were held.
Venues include the Central Exhibition Hall of the Academy of Arts of Uzbekistan, the International Caravanserai of Culture of Ikuo Hirayama, the Tashkent House of Photography, the Kamoliddin Bekhzod Museum of Oriental Miniature Arts, and the Fine Arts Gallery of Uzbekistan.